Senin, 30 Januari 2012

[L936.Ebook] PDF Ebook With Commodore Perry to Japan: The Journal of William Speiden, Jr., 1852-1855 (New Perspectives in Maritime History and Nautical Archaeolog

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With Commodore Perry to Japan: The Journal of William Speiden, Jr., 1852-1855 (New Perspectives in Maritime History and Nautical Archaeolog



With Commodore Perry to Japan: The Journal of William Speiden, Jr., 1852-1855 (New Perspectives in Maritime History and Nautical Archaeolog

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With Commodore Perry to Japan: The Journal of William Speiden, Jr., 1852-1855 (New Perspectives in Maritime History and Nautical Archaeolog

With Commodore Perry to Japan offers a personal account of Commodore Matthew Calbraith Perry’s expedition to Japan through the eyes of a sixteen-year-old purser’s clerk of the USS Mississippi. The documentary edition, endorsed by the National Historic Publications & Records Commission, provides excellent coverage of both the political mission of the Perry expedition, the opening of relations with Japan, and of the social history of a naval warship as well. Also included are fifty-five illustrations ranging from hand drawn, pen-and-ink scenes of everyday life sketched by Speiden and other members of the crew to exquisitely detailed pith paintings by Chinese artists.

  • Sales Rank: #2760666 in Books
  • Published on: 2013-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x 1.00" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 320 pages

Review
"The editors have done a commendable job of restoring Speiden’s journal in a handsome format. They have reprinted a number of illustrations from that source, including several from Speiden’s own hand. The editing has preserved the essence of the original writing, while removing some of the grammatical and stylistic infelicities. The notes are impressively-researched, and frequently quite helpful, especially in identifying personnel mentioned by Speiden."―International Journal of Naval History

“As with most primary sources, the journal of William Speiden is full of unanswered questions, partial observations and tantalizing hints of larger issues. But readers, whether those interested the maritime world of the mid-nineteenth century or in the history of US–Japanese diplomatic history, will find many nuggets in the work.”―International Journal of Maritime History



"Those interested in the pre-Civil War Navy or American diplomatic relations with other countries should read this book."--The Journal of America's Military Past

About the Author
John A. Wolter is a former chief of the Library of Congress Geography and Map Division.

David A. Ranzan is the University Archivist at Salisbury University.

The late John J. McDonough was a manuscript historian at the Library of Congress from 1961 to 1998.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Having been a career Marine Corps officer, I would ...
By G. Meyers
Having been a career Marine Corps officer, I would describe this book as being in the style of a logbook, e.g., officer of the day's log where everything of note occurring on a watch is entered, to be read later by the commanding officer or some other senior person. What I found fascinating was the author's powers of observation especially on some historic occasions, e.g., entering Yokohama for the first time, meeting the Japanese dignitaries for the first time, experiencing deaths aboard the ships, and firing salutes to visiting dignitaries (so many that I wondered where they kept the huge quantity of powder necessary to fire the myriad salutes.This book provides a rare insight into life aboard ship in the mid-1800's as well as the momentous opening of Japan (by force and intimidation I might add - sort of a velvet-covered hammer) to the outside world. This is a must-read for all Nipponphiles and readers interested in how our relationship with Japan began.

1 of 1 people found the following review helpful.
Amazing insight in our American History.
By Tom Wolter
I was not aware of the event prior to reading the book and was taken by the ability of William Speiden, Jr. (18 years old) recording of history. The book covers more that the event and reveals much about the life of a person in the Navy during that time.

0 of 0 people found the following review helpful.
A little dry, but vastly interesting
By David Tauber
This book takes the view of William Speiden Jr., a member of Perry's tour to Japan. The book is really interesting and gives a great perspective about the role of the Navy in the 19th Century. Also, some of the sketches done by Speiden and his friends are very impressive. All in all, this book is good, but a little dry.

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With Commodore Perry to Japan: The Journal of William Speiden, Jr., 1852-1855 (New Perspectives in Maritime History and Nautical Archaeolog PDF
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Senin, 23 Januari 2012

[G987.Ebook] Ebook Powerpoint 2010 in easy steps, by Andrew Edney

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Powerpoint 2010 in easy steps, by Andrew Edney

PowerPoint 2010 in Easy Steps is aimed at both new users as well as those familiar with older versions but want to take advantage of the key new features in this new version of PowerPoint. Covering the basic core features as well as key new features such as the reading view, screenshot feature, the new animations, and slide transitions, this guide offers the quickest way to get up and running with PowerPoint 2010 and produce effective and stunning presentations. Illustrated in full-color and packed with tips — an indispensable guide for all PowerPoint users!

  • Sales Rank: #1501675 in Books
  • Published on: 2010-09-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 7.00" w x .50" l, .92 pounds
  • Binding: Paperback
  • 216 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Best PowerPoint book ever
By Kimberly
This tells you everything you need to know about making presentations with PowerPoint, and it does it without excessive verbiage/jargon. It's well laid out in logical sections, making it super easy to use as a reference. But it's the awesome full-color pictures that you'll notice first. Then you'll notice the handy tips scattered throughout.

If you want a guide that gets to the point without demanding a huge investment of your time, then buy this little book. I've been teaching Microsoft Office for about 15 years and have purchased many PowerPoint books over the years. This is my favorite.

0 of 0 people found the following review helpful.
best books to come across
By mareeba
best books to come across, i learnt it faster and clearer from the book then i did doing a 3 month course on the same things, the book gave me more confidence and i use it as a refresher if ever going to a job interview test

0 of 0 people found the following review helpful.
Five Stars
By shri malviya
I am satisfied with the book

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Jumat, 20 Januari 2012

[Z212.Ebook] PDF Download Webster's new collegiate dictionary, by Webster

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Webster's new collegiate dictionary, by Webster

Webster's new collegiate dictionary

  • Sales Rank: #1103619 in Books
  • Published on: 1980
  • Number of items: 1
  • Binding: Hardcover
  • 1532 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
Surprise for my husband
By Betty A.
I had searched everywhere for a replacement for my husband's dictionary. His dictionary had been passed down from his Mother but it was falling apart. After many tapings, the spine and pages would not stay together. I went on a search and found a perfect match on Amazon.com. He was shocked and very happy that I had found a perfect replacement. It makes me smile every day when he uses it to complete his crossword puzzles.

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The standard. I have about five of these around my house and one in my office so one is always within reach.
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Five Stars
By Christina J Bales
This is a great old dictionary

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Sabtu, 14 Januari 2012

[B680.Ebook] PDF Download Ways of Going Home: A Novel, by Alejandro Zambra

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Ways of Going Home: A Novel, by Alejandro Zambra

A brilliant novel from "the herald of a new wave of Chilean fiction" (Marcela Valdes, The Nation)

Alejandro Zambra's Ways of Going Home begins with an earthquake, seen through the eyes of an unnamed nine-year-old boy who lives in an undistinguished middle-class housing development in a suburb of Santiago, Chile. When the neighbors camp out overnight, the protagonist gets his first glimpse of Claudia, an older girl who asks him to spy on her uncle Ra�l.
In the second section, the protagonist is the writer of the story begun in the first section. His father is a man of few words who claims to be apolitical but who quietly sympathized―to what degree, the author isn't sure―with the Pinochet regime. His reflections on the progress of the novel and on his own life―which is strikingly similar to the life of his novel's protagonist―expose the raw suture of fiction and reality.
Ways of Going Home switches between author and character, past and present, reflecting with melancholy and rage on the history of a nation and on a generation born too late―the generation which, as the author-narrator puts it, learned to read and write while their parents became accomplices or victims. It is the most personal novel to date from Zambra, the most important Chilean author since Roberto Bola�o.

  • Sales Rank: #188668 in Books
  • Published on: 2014-01-14
  • Released on: 2014-01-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.13" h x .44" w x 4.92" l, .30 pounds
  • Binding: Paperback
  • 160 pages

From Booklist
*Starred Review* Readers will find it hard to believe that an author can describe two lives, the philosophy of writing, and a true picture of a historical time, all in 139 pages, but Chilean poet and novelist Zambra accomplishes this with seeming ease and grace. In four sections, he alternates between the life of the unnamed main character of a novel and that of the novel’s author. Beginning with an earthquake in Pinochet’s Chile, the tale shows a nine-year-old boy meeting the intriguing Claudia, who comes back into his life when he is in his thirties. Interchanging the two stories supports the authorial musings on his own life and marriage as well as his ruminations on the parallels with the novel in progress. The writing is poetically charged, and Zambra’s use of the metafiction format allows the author to paint a broad picture of Chile’s history over more than 30 years and to describe quite fully the lives of the protagonist and the narrator. The subtle, masterful novel will transcend regional interest and appeal to a broad spectrum of literary readers. --Ellen Loughran

From Bookforum
Ways of Going Home elevates Zambra to the status of living writers we "simply must read," like Denis Johnson, Lydia Davis, and Mary Gaitskill. His voice is as natural and intimate as Roberto Bola�o's, an obvious but healthy influence, and his subjects—love, memory, death, and guilt—are as big as he can find. —Clancy Martin

Review

“Even IKEA doesn't make so much of so little space as does this young Chilean novelist. His latest book revolves around a quartet of chapters, woven around one thread about a young boy growing up in the Pinochet years and another of the novelist writing his story. In many ways, the book recalls the miniature roominess Philip Roth achieved in his great novel, The Ghost Writer. The stories we tell imagine us as much as us them, Zambra reminds, with the power and intensity of a writer who grew up in the shadow of a terrible war.” ―John Freeman, The Boston Globe

“Funny, contemplative, and quietly moving, Ways of Going Home pulls off the intoxicating trick of making the world feel smaller in its familiar touchstones found in a time of unique tragedy.” ―Chris Barton, The Los Angeles Times

“[Zambra's novels] are written with startling talent. And Zambra's latest novel represents, I think, his deepest achievement . . . 'We go home,' Zambra writes, 'and it's as if we were returning from war, but from a war that isn't over.' This is the giant, poignant condition staged by the novel's playful doubleness--the way the best conjuring trick is the one where you're shown how it's done, which in no way contradicts your belief that what you've seen is magic.” ―Adam Thirlwell, The New York Times Book Review

“A fascinating reflection on historical complicity, translated with restrained elegance by Megan McDowell.” ―The Financial Times

“I read all of Alejandro Zambra's novels back-to-back because they were such good company. His books are like a phone call in the middle of the night from an old friend, and afterward, I missed the charming and funny voice on the other end, with its strange and beautiful stories.” ―Nicole Krauss, author of Great House

“In Alejandro Zambra, the poet and novelist are organically fused. Nearly every line startles in one way or another, always propelling the story forward toward a complete emotional journey. Ways of Going Home is compact, intimate, but also sweeping--and Zambra is amazing!” ―Francisco Goldman, author of Say Her Name

“Alejandro Zambra is one of the writers of my generation whom I most admire. Never a wasted word. Never a false note. His is an utterly unique voice, one I go back to again and again.” ―Daniel Alarc�n, author of Lost City Radio

“I envy Alejandro the obvious sophistication and exquisite beauty of the pages you are about to read, a work which is filled with the heartfelt vulnerability of testimony. I loved it and I read it with the great joy of anticipation that one has reading a writer one hopes to read more and more of in the future.” ―Edwidge Danticat, Granta

“Alejandro Zambra belongs to that rare species of writer who brings language back to life. The strength of Ways of Going Home, its potency, is in the way it unfolds language in order to place its readers at that almost ungraspable intersection between individual and collective history.” ―Valeria Luiselli, author of Faces in the Crowd

“Complex yet sophisticated, [Ways of Going Home] places Zambra at the spearhead of a new Chilean fiction and sets him alongside other Latin American writers such as Colombia's Juan Gabriel Vasquez, who weave some of the continent's most difficult historical themes into an exciting modern art form.” ―Mina Holand, The Observer

“Ways of Going Home manages, in its sparse, moving, constantly smoking cool-eyed Chilean way, to add up to a stark and timely study of fiction, truth, memory, family, revolution, secrets, lies, sex, Pinochet and death . . . A wonderful book.” ―Stuart Hammond, Dazed & Confused

“Rising through the ranks of Latin American literature is Alejandro Zambra, a writer from Chile who has won over critics with his captivating work . . . Thought-provoking and inspiring, [Ways of Going Home] also echoes some of the author's own nostalgia of growing up during that turbulent time.” ―Abi Jackson, Manchester Evening News

Most helpful customer reviews

5 of 5 people found the following review helpful.
Homeward Bound
By Book Dork
I'm not sure how I even heard of this novella but Alejandro Zambra, but it was definitely an interesting piece.

Going home... to a warm bed, nice people, and homemade dinner:
- I loved the blurred lines of author, narrator/writer, and character. It's the quintessential question that good fiction should bring up: what is true and what is not?
- I appreciate the length- I think that people may complain about the lack of depth in the characters or plot, but one must remember that it is a novella. Zambra tells us what we need to know- a sort of trust is necessary when dealing with shorter works.
- It's story about going home- when do we need to, how do we get there, and most importantly, what does staying entail (physically and mentally)?
- It's also a story about a break up, on two levels (both in real life and in the book he writes; in a way it is just one, though). It isn't a highly emotional break up with pages of laments, but instead one that is hauntingly sad and simplistically complicated.

Going Home... to your friend's couch, ramen, and a cat who hates you:
- I had hoped for a little more of Chilean history to matter, to impact. I felt like it was set up in the beginning to be more of a force, but it really hung in the background.
- I thought some of the tie-ins and connections towards the end were a little sloppy.

I thought this was a quick, interesting read, but, to be honest, I'd wait until it comes into paperback- the price is pretty steep for what it is.

5 of 5 people found the following review helpful.
need a real 'earthquake' to shake this book
By Luzviminda
I found the characters interesting, especially the narrator - he has a lot of wise things to say about mundane as well as important things - like parent-children relationships, etc. but i was not engaged in the narrative which is a series of visits to former homes and neighborhoods, meeting girlfriends, relatives, friends and just chatting over the past. True, there is a little mystery thrown and the narrator gets a chance to be an unpaid 'spy' but it's just a little game this girl, Claudia, wants to play; it's not enough to grip me. Excellent translation, though.

4 of 4 people found the following review helpful.
Short but lovely new novel by Alejandro Zambra
By Cassandra
This brief, 160-pages long novella looks at the recent past of Chile's Pinochet years, through the point of view of a now-adult who grew up in the 80s. I find it fascinating, this question of how we consider the recent past: too long ago for us to be directly implicated in it; too near for us to be unaffected.

The key character in `Ways of going home' (Zambra's 3rd novel) is a Chilean man (the narrator) who looks back at his childhood years in Santiago, at the time the Pinochet regime was in full swing. Time is the central theme of this book, as well as the parallel, shifting points of view of adults and children: what did the boy understand as a child about his parents' stance in terms of the dictatorship? How does he look back at events (e.g. adult discussions) as an adult now himself? Zambra creates a thought-provoking world where the child and adult perspectives and memories overlap at times, while at other times they take different directions.

The story begins during an evening when there's a strong earthquake in Santiago, bringing the boy together with a neighbourhood girl, Claudia, who guides him in directions that will stay with him for life. Years later, Claudia, after being lost from him for a long time, reappears into his life and the reader is left with questions about reality and fantasy. Indeed, `Ways of going home' can be seen precisely as this: some thoughts about what's really true and what's true only in our minds; some thoughts about how to deal with the past when it turns out it's unthinkable and we didn't know it; some thoughts about complicity, being a bystander and innocence or not-knowing. How do you answer the question of complicity when you--as I read somewhere the author feels--were not one of the primary victims of a tragedy and yet you end up feeling implicated by default, through your parents or through your mere presence in the country at the time? The other question the novel asks is about how we frequently end up being supportive actors, with little influence in the life of, first, our family, but also, more widely, the community we live in.

Despite its brevity, `Ways of going home' is charming and insightful, bursting at the seams with ideas that I think beg for more space. It has an interesting (although perhaps not that original anymore) structure--alternating between past and present, narrator and fictional character. I suppose that puts it in the field of a postmodern novel, although I'm not too keen about these sorts of labels.

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[T760.Ebook] Fee Download Quantum Beauty, by Robert Gryn

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Quantum Beauty, by Robert Gryn

In the mythic future, no one remembers how to sleep or how to dream. No one except a few who are thought cursed and damned to a half-life of exile and madness.

Princess Astra wakes each day from her dreams—strange visions of impossible places she has never seen—to the dread that she will be discovered and cast out from the galactic kingdom of Galatopia.

Fearful of her fate and driven by her longing for new experiences beyond the unchanging perfection of the kingdom’s strict Canon, she leaves home in search of places and stories she has never known. What and who she will find were long ago forgotten.

  • Sales Rank: #774631 in eBooks
  • Published on: 2015-12-27
  • Released on: 2015-12-27
  • Format: Kindle eBook

About the Author
Robert Gryn was born too old, and immediately out of place in the middle of communist Poland. He spent his youth colored by that country's gray cities and empty sentiments. Early on, he found solace in works of fiction, and was soon drawn to those that extolled the fantastic and impossible. The possible just seemed so unremarkable among the harsh concrete and unrealized dreams of the last days of communism. 

Later in America, he studied too many subjects, ranging from computer programming to mythology and then worked for a number of years in consulting. His efforts centered on learning the unique languages of each client; the businessman, the lawyer, the programmer, the executive. All the while, he searched for the right voice for the dreams that haunted him in every turn of the eye, every clever phrase, every puddle of water reflecting unknown skies.

His first work, Fields of Rust, is inspired by the Hindu epic, The Mahabharata. Set at the cold end of the universe, human stubbornness, heroic cycles, and mutable causality all play a role in the final conflict to be fought with bare hands and impossible war machines. The sequel, The Light of Murder, will be released shortly.

Website: robertgrynbooks.com
Newsletter: eepurl.com/Oqfzn
Twitter: twitter.com/robertgryn
Facebook: facebook.com/robertgrynauthor

Most helpful customer reviews

0 of 0 people found the following review helpful.
An unusual and extraordinary read for Sci-Fi and Fantasy lovers.
By SueBiss
Here is a great book for all you Sci-Fi lovers with Fantasy added to the story to the likes of sprites, fairies, and grotesque monsters. The main character of this book is Princess Astra. She rules the kingdom Galatopia with her parent and two sisters, but she has a secret she must hide from her family. Princess Astra goes to sleep every night and has dreams. In the kingdom, she rules over no one ever sleeps or dream and those that do are either cast out or put to death. Princess Astra becomes board living in the perfect Galatopia and the way it is ruled for only the perfect can live. She wants to find out more about what goes on outside her world and to learn if there is a cure for herself and the others like her. Princess Astra decides one day to just go off on her own to explore if there is more interesting and new beautiful music that can be added to the Canon, plus to see what if her visions she dreams about every night having any meaning. What a world she will find! There is a cast of unusual characters living the world from dark and murderous monsters and knights on horseback to Voiders, nanomancers, and a whole other cast of strange beings that are made from mechanical part mixed in with human parts. Good thing there is a context in the back of the book to help you keep the strange names and beings straight and weapons with a brief description of each of them. I found some of the ways the clothing and helmets work super futuristic and unique, what an imagination this writer has, how does he come up with all these unusual designs? This will be an extraordinary read for Sci-Fi and Fantasy lovers who like the best of both worlds mixed together.

2 of 2 people found the following review helpful.
A tale for all
By AC from NY
Gryn's stand-alone novel Quantum Beauty is a great read, not just for the story, but also the characters. It is set in a world where only the unfortunate few, in an otherwise perfect world, suffer from the affliction of sleep. The youngest princess believes the illness proves the world is not perfect and goes on an interstellar quest to save her people and herself.

As for the characters, they are all flawed but likable. This adds an interesting twist as there's usually not a clear "good guy" and I found myself questioning whether I even wanted the princess to succeed (no spoilers).

However, the "beauty" of this book is that Gryn chose a female lead, which truly enhances the story. Her empathy and way of thinking (and not her looks) alter the path of the story. This was a risky move, but the way he executed it really elevated the story. Gryn's writing highlights the difference between how male and female characters can, and should be written.

I am a guy and recommend this book to men and women alike. I'm looking forward to the day in the not-so-distance future when I can brag to my friends that I discovered Robert Gryn.

1 of 1 people found the following review helpful.
the heroine Astra is inclined to search for new and beautiful in music
By Kate Wilson
In Quantum Beauty by Robert Gryn, the heroine Astra is inclined to search for new and beautiful in music, in colors, in all aspects of her young life. Quantum Beauty explores the adventurous tale of Astra, a beautiful princess in search of answers.

Quantum Beauty embraces an action filled fantasy tale with its own world and unique words. Astra and partake in adventures that bring about a vast range of experiences. Quantum Beauty is filled with creativity.

This story was a little slow for me. I found the dialog a bit too formal and my attention wandered. However, I appreciated the female lead, the question of "perfectness" and the beauty embraced through change.

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Selasa, 10 Januari 2012

[C887.Ebook] Download Ebook Monsters Within: A Paranormal Vampire Romance Thriller (Veiled Series Book 1), by Victoria Knight

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Monsters Within: A Paranormal Vampire Romance Thriller (Veiled Series Book 1), by Victoria Knight

Red Creek, Massachusetts is a quiet town. Nothing ever happens, and nothing ever changes - a feature Saul Benton, local recluse and member of the Benton Vampire Clan, appreciates deeply.

Unfortunately for Saul, his peaceful existence is soon to be mercilessly destroyed. Evil is closing in on the Benton family and Red Creek, seeking to obliterate all Saul holds dear. Which makes Saul's attraction to Nikki Galimore, a mortal woman and brat extraordinaire, all the more inconvenient.

Too bad his heart did not seem to have received the memo.

  • Sales Rank: #206249 in eBooks
  • Published on: 2015-06-04
  • Released on: 2015-06-04
  • Format: Kindle eBook

Most helpful customer reviews

10 of 10 people found the following review helpful.
Oh holy cliffhanger!
By MommaOf2
Be warned this isn't your average vampire tell. When I first started the reading I was worried it be the same mundane vampiric tells that seem to be flooding the book market lately. However, I was pleasantly surprised with the twists and turns of Victoria's vampires. Their was no mundane over explanation of them. The story is unique and even gives different characters POV. What I found the most refreshing is how mostly normal the vampire lives seemed to be in the book and how the heroine wasn't all cliche! Filled with paranormal activity, the right amount action, and sexiness makes this book fantastic in my opinion! This was an amazing read that I consumed in less than a day. I'm dying to learn the fate of Nikki as the book ends in a cliffhanger! I would defiantly recommend this read!

6 of 6 people found the following review helpful.
A new tale on an old story
By C. Melloh
Red Creek is like any other small town. Nothing ever happens, the town drunks hang out at the local bar, and town recluse that everyone speculates about. In Red Creek, Saul Benton is the town recluse and, unknowing to the townspeople, the local vampire. When Nikki Galimore witnesses Saul's inhuman strength, she knows he's something other than human. She decides to find out if her instincts are correct and shows up on Saul's doorstep. Saul is drawn to the human and feels things he thought long buried. When the town is stricken with mysterious deaths and bodies disappearing, Saul is afraid he isn't the only vampire in Red Creek and that places Nikki in mortal danger.

Victoria Knight does a great job in setting the backdrop for Red Creek. A sleepy little town where nothing ever happens. She introduces the key players, Nikki, Jason, Kyra, and Lester who play in role as the evil unfolds. She makes you feel sorry for Saul, even though he is a vampire, when she describes the interaction between Lester and Saul. You can't help but root for Saul and how he reacts to Lester's taunts. As the story unfolds, you realize Saul is lonely and the appearance of Nikki may be what saves him. The story does contain a few twists and turns and is different from how most vampire stories go. The story flows well and draws the reader in. The story does end on a cliffhanger, which is maddening, so I'm off to the book #2 to see what happens.

3 of 3 people found the following review helpful.
a new kind of Vampire story that's great
By Lacy
I'm not a professional at reviews so ill do my best. Nikki has lived in her small town of Red Creek all her life, she crosses paths with Saul; the town's loner/reclouse. Nikki finds out Saul's secret and is Intrigued by him and soon seeks out his company. Their has been a couple of gruesome deaths in Red Creek and if it isn't Saul then who is it? Nikki soon finds out and that's where the story really begins. I don't like giving away the story when I do reviews. I found Monsters Within different than other Vampire stories that are currently out there. The writer does a great job of coming up with her own take on vampires, definitely not sunshine and lollipops but there is still sex appeal and major hotness going on. A little gore and a little sex is always a great combo for me, this book opens up a good story to come and left me wanting more and on the edge of my seat. I always say these types of books are to short but that's how they are made so I'm ok with it. Can't wait to read the second bok in this series. I believe the writer has something special here. I would recommend this book to fellow vampire lovers.

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Jumat, 06 Januari 2012

[K709.Ebook] Ebook Free Design Patterns Explained: A New Perspective on Object-Oriented Design, by Alan Shalloway, James Trott

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Design Patterns Explained: A New Perspective on Object-Oriented Design, by Alan Shalloway, James Trott

Design patterns offer proven opportunities for creating flexible, reusable software -- but until now, their complexity has prevented most software professionals from taking full advantage of them. Now, there's a simple, gentle introduction to patterns that helps software practitioners gain the benefits -- without the confusion. Unlike many books on patterns, Design Patterns Explained doesn't assume that its readers already have an in-depth understanding of object-oriented design. Rather, it teaches object-oriented design and patterns together, helping developers gain deeper insights into both topics far more quickly. Shalloway and Trott don't just introduce a laundry list of patterns: they explain why each pattern works, the organizing principles upon which the pattern is based, and above all, how the patterns work together in real world object-oriented designs. For all software developers, programmers, architects, and project managers who want to succeed with patterns.

  • Sales Rank: #1740201 in Books
  • Published on: 2001-07-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.22" h x .70" w x 7.38" l,
  • Binding: Paperback
  • 368 pages

From the Back Cover

"...I would expect that readers with a basic understanding of object-oriented programming and design would find this book useful, before approaching design patterns completely. Design Patterns Explained complements the existing design patterns texts and may perform a very useful role, fitting between introductory texts such as UML Distilled and the more advanced patterns books." --James Noble

Design Patterns Explained: A New Perspective on Object-Oriented Design draws together the principles of object-oriented programming with the power of design patterns to create an environment for robust and reliable software development. Packed with practical and applicable examples, this book teaches you to solve common programming problems with patterns--and explains the advantages of patterns for modern software design.

Beginning with a complete overview of the fundamentals of patterns, Design Patterns Explained stresses the importance of analysis and design. The authors clearly demonstrate how patterns can facilitate the overall development process. Throughout the book, key object-oriented design principles are explained, along with the concepts and benefits behind specific patterns. With illustrative examples in C++ and Java, the book demystifies the "whys," "why nots," and "hows" of patterns and explains pattern implementation.

Key topics covered include:

  • New perspectives on objects, encapsulation, and inheritance
  • The idea of design patterns, their origins, and how they apply in the discipline of software design
  • Pattern-based, object-oriented software development using the Unified Modeling Language (UML)
  • How to implement critical patterns--Strategy, Observer, Bridge, Decorator, and many more
  • Commonality/Variability Analysis and design patterns, and how they aid in understanding abstract classes

From analysis to implementation, Design Patterns Explained allows you to unleash the true potential of patterns and paves the path for improving your overall designs. This book provides newcomers with a genuinely accurate and helpful introduction to object-oriented design patterns.



0201715945B06142001

About the Author

Alan Shalloway is the founder, CEO, and principal consultant of Net Objectives, an object-oriented consulting/training organization. He has a master's degree in computer science from MIT, over thirty years of experience in software development, and several years of experience in mentoring and training. He spends much of his time offering courses in design patterns, OOA, OOD, and lightweight methodologies, and building advanced software for both his own company and his clients.

James R. Trott is a senior consultant for a large software company in the Pacific Northwest and formerly was a senior engineer for a large aerospace company. He holds a master of science in applied mathematics, an MBA, and a master of arts in intercultural studies. He has spent seventeen years in the field of artificial intelligence, knowledge modeling, and knowledge management and is an expert in using cognitive design patterns and the KADS methodology.



0201715945AB06142001

Excerpt. � Reprinted by permission. All rights reserved.

Design patterns and object-oriented programming. They hold such promise to make your life as a software designer and developer easier. Their terminology is bandied about every day in the technical and even the popular press. But it can be hard to learn them, to become proficient with them, to understand what is really going on.

Perhaps you have been using an object-oriented or object-based language for years. Have you learned that the true power of objects is not inheritance but is in "encapsulating behaviors"? Perhaps you are curious about design patterns and have found the literature a bit too esoteric and high-falutin. If so, this book is for you. It is based on years of teaching this material to software developers, both experienced and new to object orientation.

It is based upon the belief--and our experience--that once you understand the basic principles and motivations that underlie these concepts, why they are doing what they do, your learning curve will be incredibly shorter. And in our discussion of design patterns, you will understand the true mindset of object orientation, which is a necessity before you can become proficient.

As you read this book, you will gain a solid understanding of the ten most essential design patterns. You will learn that design pat-terns do not exist on their own, but are supposed to work in concert with other design patterns to help you create more robust applications. You will gain enough of a foundation that you will be able to read the design pattern literature, if you want to, and possibly discover patterns on your own.

Most importantly, you will be better equipped to create flexible and complete software that is easier to maintain.

From Object Orientation to Patterns to True Object Orientation

In many ways, this book is a retelling of my personal experience learning design patterns. Prior to studying design patterns, I considered myself to be reasonably expert in object-oriented analysis and design. My track record had included several fairly impressive designs and implementations in many industries. I knew C++ and was beginning to learn Java. The objects in my code were well-formed and tightly encapsulated. I could design excellent data abstractions for inheritance hierarchies. I thought I knew object-orientation.

Now, looking back, I see that I really did not understand the full capabilities of object-oriented design, even though I was doing things the way the experts advised. It wasn't until I began to learn design patterns that my object-oriented design abilities expanded and deepened. Knowing design patterns has made me a better designer, even when I don't use these patterns directly.

I began studying design patterns in 1996. I was a C++/object-oriented design mentor at a large aerospace company in the north-west. Several people asked me to lead a design pattern study group. That's where I met my co-author, Jim Trott. In the study group, several interesting things happened. First, I grew fascinated with design patterns. I loved being able to compare my designs with the designs of others who had more experience than I had. I discovered that I was not taking full advantage of designing to interfaces and that I didn't always concern myself with seeing if I could have an object use another object without knowing the used object's type. I noticed that beginners to object-oriented design--those who would normally be deemed as learning design patterns too early--were benefiting as much from the study group as the experts were. The patterns presented examples of excellent object-oriented designs and illustrated basic object-oriented principles, which helped to mature their designs more quickly. By the end of the study sessions, I was convinced that design patterns were the greatest thing to happen to software design since the invention of object-oriented design.

However, when I looked at my work at the time, I saw that I was not incorporating any design patterns into my code.

I just figured I didn't know enough design patterns yet and needed to learn more. At the time, I only knew about six of them. Then I had what could be called an epiphany. I was working on a project as a mentor in object-oriented design and was asked to create a high-level design for the project. The leader of the project was extremely sharp, but was fairly new to object-oriented design.

The problem itself wasn't that difficult, but it required a great deal of attention to make sure the code was going to be easy to maintain. Literally, after about two minutes of looking at the problem, I had developed a design based on my normal approach of data abstraction. Unfortunately, it was very clear this was not going to be a good design. Data abstraction alone had failed me. I had to find something better.

Two hours later, after applying every design technique I knew, I was no better off. My design was essentially the same. What was most frustrating was that I knew there was a better design. I just couldn't see it. Ironically, I also knew of four design patterns that "lived" in my problem but I couldn't see how to use them. Here I was a supposed expert in object-oriented design baffled by a simple problem!

Feeling very frustrated, I took a break and started walking down the hall to clear my head, telling myself I would not think of the problem for at least 10 minutes. Well, 30 seconds later, I was thinking about it again! But I had gotten an insight that changed my view of design patterns: rather than using patterns as individual items, I should use the design patterns together.

Patterns are supposed to be sewn together to solve a problem.

I had heard this before, but hadn't really understood it. Because patterns in software have been introduced as design patterns, I had always labored under the assumption that they had mostly to do with design. My thoughts were that in the design world, the pat-terns came as pretty much well-formed relationships between classes. Then, I read Christopher Alexander's amazing book, The Timeless Way of Building. I learned that patterns existed at all levels--analysis, design, and implementation. Alexander discusses using patterns to help in the understanding of the problem domain (even in describing it), not just using them to create the design after the problem domain is understood.

My mistake had been in trying to create the classes in my problem domain and then stitch them together to make a final system, a process which Alexander calls a particularly bad idea. I had never asked if I had the right classes because they just seemed so right, so obvious; they were the classes that immediately came to mind as I started my analysis, the "nouns" in the description of the system that we had been taught to look for. But I had struggled trying to piece them together.

When I stepped back and used design patterns and Alexander's approach to guide me in the creation of my classes, a far superior solution unfolded in only a matter of minutes. It was a good design and we put it into production. I was excited--excited to have designed a good solution and excited about the power of design patterns. It was then that I started incorporating design patterns into my development work and my teaching. I began to discover that programmers who were new to object-oriented design could learn design patterns, and in doing so, develop a basic set of object-oriented design skills. It was true for me and it was true for the students that I was teaching.

Imagine my surprise! The design pattern books I had been reading and the design pattern experts I had been talking to were saying that you really needed to have a good grounding in object-oriented design before embarking on a study of design patterns. Nevertheless, I saw, with my own eyes, that students who learned object-oriented design concurrently with design patterns learned object-oriented design faster than those just studying object-oriented design. They even seemed to learn design patterns at almost the same rate as experienced object-oriented practitioners.

I began to use design patterns as a basis for my teaching. I began to call my classes Pattern Oriented Design: Design Patterns from Analysis to Implementation.

I wanted my students to understand these patterns and began to discover that using an exploratory approach was the best way to foster this understanding. For instance, I found that it was better to present the Bridge pattern by presenting a problem and then have my students try to design a solution to the problem using a few guiding principles and strategies that I had found were present in most of the patterns. In their exploration, the students discovered the solution--called the Bridge pattern--and remembered it.

In any event, I found that these guiding principles and strategies could be used to "derive" several of the design patterns. By "derive a design pattern," I mean that if I looked at a problem that I knew could be solved by a design pattern, I could use the guiding principles and strategies to come up with the solution that is expressed in the pattern. I made it clear to my students that we weren't really coming up with design patterns this way. Instead, I was just illustrating one possible thought process that the people who came up with the original solutions, those that were eventually classified as design patterns, might have used.

My abilities to explain these few, but powerful, principles and strategies improved. As they did, I found that it became more useful to explain an increasing number of the Gang of Four patterns. In fact, I use these principles and strategies to explain 12 of the 14 patterns I discuss in my design patterns course.

I found that I was using these principles in my own designs both with and without patterns. This didn't surprise me. If using these strategies resulted in a design equivalent to a design pattern when I knew the pattern was present, that meant they were giving me a way to derive excellent designs (since patterns are excellent designs by definition). Why would I get any poorer designs from these techniques just because I didn't know the name of the pattern that might or might not be present anyway?

These insights helped hone my training process (and now my writing process). I had already been teaching my courses on several levels. I was teaching the fundamentals of object-oriented analysis and design. I did that by teaching design patterns and using them to illustrate good examples of object-oriented analysis and design. In addition, by using the patterns to teach the concepts of object orientation, my students were also better able to understand the principles of object orientation. And by teaching the guiding principles and strategies, my students were able to create designs of comparable quality to the patterns themselves.

I relate this story because this book follows much the same pattern as my course (pun intended). In fact, from Chapter 3 on, this book is very much the first day of my two-day course: Pattern Oriented Design: Design Patterns from Analysis to Implementation.

As you read this book, you will learn the patterns. But even more importantly, you will learn why they work and how they can work together, and the principles and strategies upon which they rely. It will be useful to draw on your own experiences. When I present a problem in the text, it is helpful if you imagine a similar problem that you have come across. This book isn't about new bits of information or new patterns to apply, but rather a new way of looking at object-oriented software development. I hope that your own experiences, connected with the principles of design patterns, will prove to be a powerful ally in your learning.

--Alan Shalloway

From Artificial Intelligence to Patterns to True Object Orientation

My journey into design patterns had a different starting point than Alan's but we have reached the same conclusions:

  • Pattern-based analyses make you a more effective and efficient analyst because they let you deal with your models more abstractly and because they represent the collected experiences of many other analysts.
  • Patterns help people to learn principles of object orientation. The patterns help to explain why we do what we do with objects.

I started my career in artificial intelligence (AI) creating rule-based expert systems. This involves listening to experts and creating mod-els of their decision-making processes and then coding these models into rules in a knowledge-based system. As I built these systems, I began to see repeating themes: in common types of problems, experts tended to work in similar ways. For example, experts who diagnose problems with equipment tend to look for simple, quick fixes first, then they get more systematic, breaking the problem into component parts; but in their systematic diagnosis, they tend to try first inexpensive tests or tests that will eliminate broad classes of problems before other kinds of tests. This was true whether we were diagnosing problems in a computer or a piece of oil field equipment.

Today, I would call these recurring themes patterns. Intuitively, I began to look for these recurring themes as I was designing new expert systems. My mind was open and friendly to the idea of pat-terns, even though I did not know what they were.

Then, in 1994, I discovered that researchers in Europe had codified these patterns of expert behavior and put them into a package that they called Knowledge Analysis and Design Support, or KADS. Dr. Karen Gardner, a most gifted analyst, modeler, mentor, and human being, began to apply KADS to her work in the United States. She extended the European's work to apply KADS to object-oriented systems. She opened my eyes to an entire world of pattern-based analysis and design that was forming in the software world, in large part due to Christopher Alexander's work. Her book, Cognitive Patterns (Cambridge University Press, 1998) describes this work.

Suddenly, I had a structure for modeling expert behaviors without getting trapped by the complexities and exceptions too early. I was able to complete my next three projects in less time, with less rework, and with greater satisfaction by end-users, because:

  • I could design models more quickly because the patterns predicted for me what ought to be there. They told me what the essential objects were and what to pay special attention to.
  • I was able to communicate much more effectively with experts because we had a more structured way to deal with the details and exceptions.
  • The patterns allowed me to develop better end-user training for my system because the patterns predicted the most important features of the system.

This last point is significant. Patterns help end-users understand systems because they provide the context for the system, why we are doing things in a certain way. We can use patterns to describe the guiding principles and strategies of the system. And we can use patterns to develop the best examples to help end-users understand the system.

I was hooked.

So, when a design patterns study group started at my place of employment, I was eager to go. This is where I met Alan who had reached a similar point in his work as an object-oriented designer and mentor. The result is this book. I hope that the principles in this book help you in your own journey to become a more effective and efficient analyst.

--James R. Trott



0201715945P06152001

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112 of 114 people found the following review helpful.
learn OO in 'design patter' way
By Yu H. Chou
There are 2 ways of learning new concepts and principles:
1. learn principles first, then try to use them
2. observe good implementations first, then learn to appreciate the principles behind them
The authors successfully convince me that the 2nd way is the better way of learning a paradigm like OO. The authors first give us a little principles (Chapter 1), and then intorduce to us the good designs one by one (Part III, IV, V). While explaining these good design solutions (design patterns), authors didn't forget to stop and show us what we have been through, and the principles we can draw from our experience.
This is really a joyful and mind-shifting reading.
This book is not trying to teach you everything about design pattern and OO. But it lays a very sold foundation in your brain, and force you to think in a new perspective.
Of course, you should read GoF after or along with reading this one.
Also recommend:
Craig Larman: Applying UML and Design Pattern (this book puts the things you learned into real developement process)

108 of 110 people found the following review helpful.
Explained thoroughly and concretely
By Michael Wade
I have read the Gang of Four book, which I highly respect and view as a kind of Bible for Patterns. The analogy is apt in that you don't read the Bible once, expecting to "get it" the first time through. You need to read, re-read, read commentaries and explainations. And even so, I found the patterns nebulous. Don't get me wrong! The G of Four book is a must have. But this is the first book that took me from the beginning to the end, explaining in concrete examples that I could understand. One of the key points is applying Patterns to the entire software process, not just design, AND MOREOVER, using many Patterns in the solution of software problems.
I also really enjoyed the writing style. Someone else has complained that it is written in first person even though there is more than one author. Personally, I don't care how many authors are involved, I want results. And the first person choice brought me into the inner circle, where someone was explaining things directly to me. It is a great read, with an almost ideal style of writing for my personality. They break out bulleted lists (another complaint from someone) that gives me the highlights of what we are going to cover. I cannot explain what a great difference that made. One great lecturer from JPL said when giving a lexture: "Tell them what you're going to tell them. Tell them. Then tell them what you told them." A brilliant speaker, this methodology lends itself to writing I think as much as speaking. Design Patterns I have read and done my best to understand, but this book breaks them down into easy to understand, and more importantly, cases where they can apply in simple language.
Possibly most importantly, they describe how learning patterns can be used together with learning OO. I have been doing OO design for many, many years. I read the GofFour, but it was soooo dry, and although I tried hard to put them into practice in my software, I was always disappointed with the results. It felt that the Patterns were tacked on to handle some specific portion of the software. This book, OTOH, addresses the issue of teaching OOD and Patterns at the same time. Even though I considered myself a "good" OO person, I found that after reading this book the Patterns began to fit together with my designs. Wonderful!
All this may not mean much to you, but if you are interested in Patterns, the Gang of Four, then please do yourself a favor and buy this book. Not only will you not regret it, it will [pull] you in and teach you in ways you never thought possible. Go for it, you will have no regrets. I have read many, many, many, software books, and this one just shines.

53 of 55 people found the following review helpful.
THE Introduction to Design Patterns
By Christopher J. Falter
This sparkling little introduction to design patterns is clear, well-organized, and supplied with sufficient sample code to help you understand and use 14 of the most important design patterns. Best of all, the authors provide insight into how using design patterns meshes with best practices in object-oriented analysis and design (OOAD).
They explain the shortcomings of traditional OOAD by supplying an example of a brittle, overly complex design that they themselves had crafted. They identify the culprit as overreliance on specialization.
The authors then discuss 14 of the most important patterns from the Gang Of Four book, and how using them made their own design more elegant. Along the way, they elucidate several themes you need to know in order to use design patterns:
* Encapsulation can hide more than data. It can hide complexity (the Facade pattern) or an ill-suited interface (the Adapter pattern), for example.
* Find what is common and make it an interface; find what varies, and encapsulate it.
* Don't get lost by plunging into the details of implementation too early; instead, use design patterns to address your problem space at a conceptual level.
As suits an introductory work, the authors do not deal with all the design patterns from the Gang Of Four, and not with the same depth. Fortunately, they supply ample footnotes to provide further reading for those of us who want more depth.
Bottom Line: You know that if you just turn nouns in your problem space into objects and verbs into methods, you won't magically get a sound design. On the other hand, it is easy to get lost in the complexity of Gamma's classic. Resolve the dilemma by reading this book first!
Footnote: as I feel that the vast majority of potential readers will not have the opportunity to attend Shalloway's 2-day course, I will not use the fact that it duplicates much of the book's content as a reason to lower my rating. It's a 5-star work all the way.

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To build a nation, Hardcover - 1971, by Chung Hee Park

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